Showing posts with label Johann Sebastian Bach. Show all posts
Showing posts with label Johann Sebastian Bach. Show all posts

Friday, April 07, 2023

Good Friday

It is three o’clock, and the world comes to a stop.  All Holy Week we have been watching the final disaster draw near; on Palm Sunday, having sung our King into Jerusalem with palms and hosannas, we filled our mouths with barbs and jeers and the unctuous solicitations of the Pharisees (‘Your Excellency, we recall that this imposter said…’)  Now the sentence is passed, on the sentencers as much as the sentenced, and we have come to the place of execution.  Bone-dry silence falls.  Surely there is some mistake… surely God will not permit…?  But the Devil is allowed to see the victory he has so long desired; all, to his own astonishment, has gone entirely to plan; his triumph is within his grasp.  Has he done it?  Has he not only destroyed God’s son but, better, caused humanity to destroy God’s son?  Surely he has; he has driven his opponent out of the world, and humanity is his; if has also pleased God to accept the sacrifice, so much the better.  What now stands in his way?  Only a few things unsettle him: those sharp observant glances among the scattered remnants, their mutterings of recognition and realisation.  And the mother; always the mother; this second Eve whom he cannot bring to ruin.

Ah, holy Jesus, how hast thou offended,
That we to judge thee have in hate pretended?
By foes derided, by thine own rejected,
        O most afflicted!

Who was the guilty?  Who brought this upon thee?
Alas, my treason, Jesus, hath undone thee!
’Twas I, Lord Jesus, I it was denied thee;
        I crucified thee.

Lo, the Good Shepherd for the sheep is offered;
The slave hath sinned, and the Son hath suffered.
For our atonement, while we nothing heeded,
        God interceded.

For me, kind Jesus, was thy incarnation,
Thy mortal sorrow, and thy life’s oblation;
Thy death of anguish and thy bitter passion,
        For my salvation.

Therefore, kind Jesus, since I cannot pay thee,
I do adore thee, and will ever pray thee,
Think on thy pity and thy love unswerving,
        Not my deserving.

‘Herzliebster Jesu’ (‘Ah, Holy Jesus’), melody by Johann Crüger (1598–1662), harmonised by J. S. Bach.  Words by Johann Heermann (1585 –1647); translation by Robert Bridges (1844–1930).

Monday, May 29, 2017

Music in Time of Examination

Alas, the feast of Ascension, Oak Apple Day and G. K. Chesterton’s birthday are all probably rather overshadowed in the many minds for which this is a season of examinations.  They are necessary hardships, I suppose, but I must say it would be easier to believe this if it were possible to have confidence that the exam boards knew their subjects and checked their answers

Anyway, I thought the least I could do in solidarity would be to compile a list of music (‘Desk Island Discs’?) either to lift or calm the spirits.  In one way they are only suggestions for listening in the throes of study or an interlude of relaxation, but I also mean them to show that, in the list of things that matter in life, exams are really quite low down.  Now it is true that a good exam should offer, in the very challenge it set, some promise of the reward of learning: truth, goodness and beauty, but many exams often fail to do this, to say the least, so here are some examples from the third category that I think really are worth knowing about:

Ernest Tomlinson: a general recommendation
The music of Ernest Tomlinson (1924-2015) more or less saved my finals: I wrote to him afterwards to say so, and he was kind enough to reply!  I have written elsewhere about his valiant efforts in defence of British light music since the 1960s.  Two CDs’ worth of his music can he heard here and here, but here are some suggestions for now:

Kielder Water:


Miranda:




Lakeside Idyll:


… the second movements of the Concerto for Five and the Silverthorn Suite, and both Suites of English Folk-Dances.


Then there is Percy Grainger: Zanzibar Boat Song for piano (six hands):




Molly on the Shore:




Along with Mock Morris, Spoon River and the Lincolnshire Posy (about which more here).


Ralph Vaughan Williams: Symphony no. 5, movement III (Romanza)




Ralph Vaughan Williams: Tuba concerto, movement II (also entitled Romanza)



Handel, of course; also jazz; and for those who like both Handel and jazz:



Gerald Finzi: Eclogue for piano and strings.



Herbert Howells’ Three Dances for violin and orchestra, written in 1915 when he was still a student at the Royal College of Music:




Germaine Tailleferre: Suite burlesque.



Any Bach keyboard concerto:




Maurice Duruflé: Quatre motets sur des thèmes grégoriens. For example:





I hope these will help anyone who comes across them, and that they are enough…  I’m probably not meant to put this many videos on a single web-page!  All the same, if anybody has any other suggestions, I’d be glad to hear them.