Monday, October 28, 2019

Ruth Gipps: Clarinet Concerto in London this Saturday

Another milestone in the unfolding Ruth Gipps revival is about to be reached!  This Saturday, 2nd November, her Clarinet Concerto (in G minor, Op. 4, 1940) will be performed in London.  The concert — at St James’ Church, 197 Piccadilly, and starting at 7.30 p.m. — will be given by the London Repertoire Orchestra, which Ruth Gipps herself founded in 1955.  David Cutts is the conductor.  According to the website — https://www.eventbrite.co.uk/e/lro-gipps-and-sibelius-tickets-53223710551 — this will be the première of a 'new edition' of the work which has been prepared by the soloist, Peter Cigleris.

All this is following swiftly on the heels of the rendition of Gipps' Second Symphony by the City of Birmingham Symphony Orchestra (CBSO) under Mirga Gražinytė-Tyla earlier this month, the news of the Seattle Philharmonic Orchestra's forthcoming United States première of the Fourth Symphony, and several fine new recordings.

Here is one small example of the sort of music that Ruth Gipps could write for solo clarinet and orchestra.  It is from the first movement of her Fifth Symphony, which was written almost fifty years after the Clarinet Concerto.  If the music that will be performed on Saturday is remotely as lyrical as this, then we are in for a treat.

Tuesday, October 22, 2019

Such a Solid Religion

The Christian religion is a warm and lively home for those who love ideas, for ideas both wonderful and beautiful it has in plenty; the greatest, the key that turns in the lock of life, being the idea that it is true.  Among the glades of its implications the mind can wander to its content, forever happening upon new avenues of sanity in which the human spirit is uplifted, dignified and redeemed where it might otherwise be diminished or discarded.  Yet it is not by ideas only that we believe.  It makes sense, if Christianity is the truth about the whole world and all reality, that it should express itself materially, as well as intellectually.  Lest we are ever tempted to distil it into a hygienic system of abstract thought, an ingenious or esoteric theory, or a cultural pose aloof from the world, then its solidity — its sheer physicality, both startling and reassuring — is there to bring us back down to earth with a bump.  For although it came from heaven, and back to heaven it beckons, it has put its roots deep down into earth.

This is a religion of fire and of water, of wheat and of wine; of olives and oil and ointment; of flesh and of blood.  It washes, it anoints; it smudges foreheads with ashes, it rings fingers in gold.  It smoulders, it sprinkles, it jingles; it paints, it carves, it casts in metal.  It touches, it kisses, it lays on hands.  It quickens the senses with sights and sounds, with touch and taste, with smells and bells.  Unabashedly it holds that Jesus Christ, the King of the Universe, first drew a baby's earthly breath in an abject outhouse round the back of a provincial inn; that his craftsman's hands were 'skilled at the plane and the lathe', and that he was not above getting down on his knees to scribble in the dust or to wash a fisherman's feet.  Always he is touching and embracing those he meets, and telling parables of plain familiar things, salt and sheep and pigswill and mustard-seeds.  Then there is his Crucifixion, whose grisliness appals polite society to this day — and his Resurrection, whose earthiness Scripture positively revels in.  It was no mere wraith or ghost that sank teeth into grilled fish for breakfast on Lake Galilee's shore, or into whose wounds doubting Thomas pressed his fingers to feel, in shock and wonder beyond reason or hope, life coursing through a body that had lain cold for three days in the grave.

This is a geographical religion, too, for it transfigures the earth it touches, moulding the shape and feel of nations and households and everything in between.  The spiritual journey of a pilgrimage is lent its structure by topographical realities, and by earthly distances over land and sea.  Christianity's celebration of particularity and distinctiveness has given us the proliferation of saints or devotions to which our churches are dedicated: 'all things counter, original, spare, strange' find their home here.  This, too, goes right back to the beginning of it all.  Do we realise, for instance, how extraordinary it is that such a cosmic event as the Ascension should have occurred 'on the outskirts of Bethany'?  This is like saying it happened just outside Swindon.  Anyone making this up would surely have arranged things so that the great dénouement would occur somewhere prominent or fitting, in Jerusalem or atop the Mount of Olives, but no: God chooses the fringes of a plain provincial town for His purposes (and yet often fulfils a prophecy in doing so).

And the Eucharist at the heart of the faith is as down-to-earth as it is heavenly.  It elevates and sanctifies an action so instinctive, so reflexive and so vital as swallowing.  We gulp down our very salvation.  And for many of us, knowing all too well that the Eucharist defies the senses and demands faith — a very high degree of faith — it is easy to miss the solidity, the trustworthiness that it has about it.  It is not arbitrary or coincidental or artistically neat: it is what was given to us.  That Host on the altar was consecrated by a priest who was ordained by a bishop who can trace Apostolic Succession all the way back to the twelve apostles who were called by Jesus Christ who took bread and said 'This is my body' and took wine and said 'This is my blood'.  The staunchest atheist could not deny the historical reality of the Church's faithfulness to the words 'Do this in memory of me'.

This is the Incarnation at work, and it is quite a startling thing.  'The Word was made flesh and dwelt among us'... we hear it said so often that we tend to forget how odd a thought it is.  Bishop Barron's suggested synonym 'enfleshment' gives a sense of the disconcerting viscerality of God's dealings with man.  Yet there really is not so great a cleft as we imagine between the material and the spiritual.  For minor incarnations are commonplace: words swiftly become flesh when it comes to keeping promises, for instance.  In fact, we spend much of our waking lives rushing about in order to fulfil vows and contracts, many perfectly mundane, but many, too, founded truly and purely on invisible love.

Christianity's rootedness in earth helps us to trust its more abstract, less tangible aspects, the high doctrines and divine paradoxes.  The firmness of the masonry at the foot of the faith leads us to put trust in the high vaults that leap so dizzyingly beyond our reach.  And so we come to realise that those doctrines are not simply abstract assertions or formulae, but firm banisters helping us Heavenwards.  As Bishop Barron says, there are laws of 'spiritual physics' just as there are laws of material physics: both have their origin in the same law-giver.  We say that God is Love not merely because it is a nice idea, the conclusion that we would like to be true, but because we believe it is true, whether we like it or not.  That this truth is also glorious and wondrous is, to put it mildly, a bonus.  In the first place, God is Love in the same way that fire scorches and light dazzles, with the unwrestlable strength of the tides and a thunderstorm's might.  Like a prevailing wind or a magnetic field, the divine essence defies isolation or capture, but we can run our fingers over the effects it has in time and space.  The same force that raised the spire of Grantham's church of St. Wulfram in the fourteenth century now draws seven hundred thousand people to a worship concert at Lagos.  Faith moves mountains not least by its sublimation into visible and measurable phenomena, by its expression in solid earth.

And just as its solidity helps us to apprehend intangible things, it helps us to come to terms with our own incarnated nature, for I wonder if we are not as accustomed as we think to this muddy vesture of decay.  Having to eat, having to drink, having to sleep... do we ever get used to it?  Part of the mystery of incarnation is that we have to learn how to inhabit our own mortal clay.  Babies are bewildered by their own bodiliness, and not until after our teenage years do we shed our awkwardness and clumsiness — and sometimes not even then!  Yet in the sacraments and gestures of this religion in particular, it is precisely the ordinary necessary things in life that are chosen to give the spiritual realm outward form.  So it is that our bodies and the gritty realities of birth, death and sickness are comprehended and sanctified.

We can afford not to be shy about the solidity of our faith, and the handholds of the incarnational, sacramental religion by which the details and particularities of the world are made precious and holy, and by which God places himself within our grasp.  Heaven does not repudiate earth, but redeems it: Deo gratias.

Saturday, October 12, 2019

England's Newest Saint

This morning at Mass the parish Youth Choir sang 'Praise to the Holiest' in honour of Britain's newest saint, St. John Henry Newman — as we may now call him! — who was canonised this morning.  I think we may fairly feel a surge of joyful pride, not because we can take any credit for his holiness, but because he feels close to us: he is 'one of ours'.  He is the first canonised English saint to have lived since the Reformation; he wrote the words of some of our best-loved hymns; he grappled with the pain of the fissure between the Catholic and Anglican churches.  He knew the English countryside, and the cities of London and Oxford and Birmingham (also Dublin), not quite as they are today, but, importantly, as they were becoming what they are today.  Certainly he lived and worked in a time when the forces that we now call relativism and secular progressivism were stirring and gathering strength, and these did not daunt him in his long and unrelenting search for objective truth.  As no less a person than the Prince of Wales says in yesterday's Times, he 'stood for the life of the spirit against the forces that would debase human dignity and human destiny'. And his way of responding to these things, lucidly and serenely, with conviction but not belligerently, happens to serve as a very helpful example for us in our own day.

Of course, he is a saint not for his relevance to our cultural situation, nor simply because of his intelligence or his writings and achievements, but because of his person; because of the way in which he lived his life.  More than pride, perhaps it is confidence that we should take: here is a man whose example we can trust with a new certainty.  And here is a man who lived not so very long ago, in circumstances not altogether dissimilar from ours, who proved that sainthood is not a quaint idealism of other times and other places, but something alarmingly plausible.  Can British people in the modern world still become saints?  Could it even be that saints are what we are meant to become?

This blog takes its name from a phrase of Newman's.  As I wrote in my first post, I treasure the gentle paradox of the words: there is a steady slow-burning encouragement in the idea that there is 'some definite service' that we are all called to do.  Evidently England's newest saint did his!  Here is the passage in full:
God has created me to do Him some definite service. He has committed some work to me which He has not committed to another. I have my mission. I may never know it in this life, but I shall be told it in the next. I am a link in a chain, a bond of connection between persons.
He has not created me for naught. I shall do good; I shall do His work.  I shall be an angel of peace, a preacher of truth in my own place, while not intending it if I do but keep His commandments.  Therefore, I will trust Him, whatever I am, I can never be thrown away. If I am in sickness, my sickness may serve Him, in perplexity, my perplexity may serve Him. If I am in sorrow, my sorrow may serve Him. He does nothing in vain. He knows what He is about. He may take away my friends. He may throw me among strangers. He may make me feel desolate, make my spirits sink, hide my future from me. Still, He knows what He is about.
Bl. John Henry Newman: Meditations on Christian Doctrine, Meditations and Devotions, March 7, 1848.
John Everett Millais' portrait of John Henry Newman on display at Arundel Castle (W. Sussex), 13th September 2019.