Friday, April 29, 2022

Poetry, Our Daily Bread

‘What poetry needs is a place at the table,’ begins a recent piece by my friend Maolsheachlann Ó Ceallaigh which I heartily enjoyed and recommend, not just because he goes on to write very attentively and generously about a poem of mine, but because I agree so strongly with the more general point he is making: that poetry has become strange to us, and that this is a tragedy.

The reason for its scarcity in our lives these days, he argues, is not that we do not revere it, but almost that we revere it too much, so that, thus ‘safely exalted and ignored’, it has been forgotten and grown strange.  When we do meet with it, it seems unfamiliar and discomfiting.  We know that it is Important Language, but we don’t know why; we forget, except on rare occasions, what the poetic register is for.  We intuit its sincerity and its seriousness, but not its purpose, even though our forbears throughout the ages understood this naturally.  We think it is perhaps a kind of public therapy session for the poet, an unburdening of his emotions and preoccupations, and listen to it out of politeness if nothing else.  Perhaps we think of it as a porcelain dinner service, kept in the dresser for special occasions.  We think it is only for the solemnest moments, for funerals and centenaries, to be intoned only by professional actors and public figures.

But this is to miss a vital element of poetry.  Poetry is a craft, something that belongs to a community, and is to be shared and enjoyed by many, and often.  We treat music and film in this way; Maolsheachlann argues; why not poetry?  He says,

Whenever I’ve shared my poetry with people (with a very [few] exceptions), the reaction is generally twofold:

1) I like it.

2) It makes me think of X or Y or Z.

But what I was really gunning for is a critical reaction. What is good about it? What is bad about it? What does it suggest to you in terms of meaning and association? Exactly the sort of critique anyone would have about a film, a novel, a painting, a piece of music. I just want my poem to be treated as a piece of work, not as pure sacred self-expression, immune from analysis.

The price of our present misunderstanding is that we hardly encounter poetry at all.  And yet it is an essential vitamin, a vital mineral; it should be our daily bread.  It involves emotion, yes, but also the distillation and disciplining of emotion.  It is elevated language, yes, but not actually sacred.  We should not shrink from its invitation to attentiveness any more than we would begrudge such an invitation from a film or a piece of music.  We should welcome it into our lives.  It should season our speech like salt, deepening its flavour, and, by making us more attentive to our words, make us in turn more mindful of our human dignity.  

But like all good things, like all gifts, it is also an end in itself, to be cherished and rejoiced in for its own sake.

Maolsheachlann’s whole article can be read here.

Saturday, April 23, 2022

Happy St. George’s Day!

May St. George and indeed St. Edmund and Our Lady of Walsingham save and protect England, this small precious portion of the Earth’s surface: much misunderstood, much maligned, much afflicted in various ways, but still the home of many people of good will, and still to be honoured, cherished and defended.

The Fantasy in E Major by Harold Darke (1888–1976) in an arrangement for strings by C. Jenkins, accompanied by a sequence of paintings by James Lynch (b. 1956) mainly of scenes in Wiltshire, Oxfordshire and Gloucestershire.  Many thanks to YouTube user David Harris for putting the two together. 

Thursday, April 21, 2022

Happy Birthday to H. M. the Queen

Wishing a very Happy Birthday to Her Majesty the Queen, who celebrates her ninety-sixth birthday today.  May God save and bless and keep her always. 

Sunday, April 17, 2022

Happy Easter!

Where all was dark there is suddenly fire; where there was death there is life once more.  Happy Easter to one and all!


In Święta Lipka in north-eastern Poland, on the 4th May 2019, an irresistible arrangement of a familiar tune is sung by participants in one of the many Liturgical Music Workshops that are run by Hubert Kowalski (conducting) and others across the country and elsewhere in Europe.  They sing, ‘Pan zmartwychwstał i jest z nami’ — ‘The Lord is risen, and is with us’ — or, as we know it in Britain, ‘Jesus Christ is risen today’.

Saturday, April 16, 2022

In the Next Few Years

Half the battle, in these next few years, will be to keep our heads.  These are troubled, unreal, topsy-turvy times, and even leaving aside, if we can, the war in Ukraine, where the horrors of the 1940s have come howling back into our continent; even if we concentrate on our own society and culture, there is a widespread sense that the world has gone mad, and is going steadily madder. 

The first thing is not to follow it: we must not panic and go mad ourselves.  There are at least two false paths to be avoided — to give in and simply go along with the world’s insistent lunacies, or to allow ourselves to be goaded into an opposite, contrarian madness.  Both are easier than we think, even for honest and well-intentioned people.  Not for nothing do we speak of sanity as the state of being ‘well-balanced’, as a kind of equilibrium which has to be maintained, and which by implication it is more than possible to lose.  And such a balanced mind can indeed be hard to maintain, or to be sure of having maintained, especially if all around are losing theirs.

How, then, do we keep ourselves steady?  There is some considerable strength to be drawn simply from calm observation of the situation at hand.  With the right bearings we can, in all humility, taking into account our own flaws and follies, still have the confidence to point out the world’s madnesses, and to be sure that they are indeed the world’s, and not ours.  We can say that women and men, though radically equal in dignity, are also different from each other in certain essential ways, and that the blurring of such distinctions carries great risks, including to that same equal dignity.  We can say that an undue preoccupation with racial and ethnic characteristics, even with the ostensible goal of eradicating unjust prejudice, will actually do more harm than good to race relations.  We can say that the freedom of adults must not take precedence over the flourishing of children.  We can say that political causes do not make good religions.  And so on.  It helps simply to be able to say these things, to reassure ourselves that we at least have kept our heads.
 
All the same, the situation we find ourselves describing may still be a grave one.  We churchgoers, for instance, are trying not to find particularly daunting the displacement, by means of a potent blend of secularist, materialist and progressivist ideologies, of the Christian imagination of Europe: a process which has been going on for several centuries but which seems in our times to be ascending to a new climax.  Now because we are churchgoers we know too, of course, that this is nothing new.  The forces of chaos — and human beings in general — have been in rebellion against God and good sense since time immemorial.  We saw it yesterday, on Good Friday, which I find more shocking with every passing year.  The silent treachery of Judas, the queasy pragmatism of Pilate before the hissing Sanhedrin, the spittle-flecked blood-thirst of the mindless mob, Peter’s three (three!) denials, the exquisite ingenuity of the malevolence of the soldiers, the agony beyond agony of the road to Golgotha and the anguish of the Mother who stood beside it, the skull-stark desolation of the Cross itself, and then the final, unthinkable horror actually coming to pass: ‘He bowed his head and gave up his spirit.’  We were not there, and yet in truth we are there all the time.  For we know what this is all about: we have all heard of such things, or witnessed them, or indeed committed them; it is the history of the world.  Yes, we know all this.  And yet, since the forces of rebellion take different forms in different times and places, it is possible to make observations about the particular circumstances of different ages; and in our own day, it seems to me, the various threats to the Church add up to something that is without precedent in history.  

In part this is because these threats are not usually overtly violent: they are often invisible or intangible as well as appearing sophisticated and civilised, and therefore more insidious, disorienting and difficult to oppose.  So, for instance, here in Britain we have, in only a century or so, and with scarcely any controversy, transformed ourselves from an at least outwardly Christian civilisation into a largely secular-progressive one.  Perhaps because the trend itself has remained constant for most of our lifetimes we might not realise how great a shock this is, but we should not underestimate its effect: even taking into account the atheism and scepticism already widespread in the British establishment in the eighteenth and nineteenth centuries it amounts to a swift and drastic revolution, and one by which we have made serious alterations to the moral and ethical foundations and fabric of our society.  Partly it came about by the sheer cost of the the two world wars, whose shattering violence left intangible things as well as tangible beyond straightforward repair: social solidarity, love of country, standards of decency, trust in institutions.  Then since the war we have had the Revolution of the Self, a phenomenon that Ed West has gone so far as to call a second Reformation, and whose general coarsening and cheapening influence successfully ushered in a radical transformation of our understanding of family, morality, culture and of truth itself.  The attack was deep, determined and aimed more or less directly at Christian morality.  Wise and brave people sounded warnings to no avail.

In recent years, though, something else has begun to happen.  Partly it is something we might have been expecting: some kind of counter-reaction to that Revolution of the Self, as the sheer magnitude of the cost of its false promises became clear.  Something along these lines has now indeed begun to materialise, but it not the sort of thing we might have hoped for.  Angry beyond coherence, it rails indiscriminately against more or less anything that is inherited from the past, so that, instead of vindication for the Church, we now, to our horror, find ourselves actually lumped in with the Sixties revolutionaries, as if we straightforwardly share the blame for the problems they caused.  Never mind that it is the Church that has, say, warned most strongly and consistently against the myth of ‘free love’: no, the traditional Christian understanding of marriage is still considered as grave a threat to the fulfilment of women as the post-Sixties status quo.  Likewise, in the renewed focus on the wounds left by the slave trade, there is scant acknowledgement of the Christian motivations of the abolitionists, still less a willingness to make the distinction between the teaching of a religion and the decision by some nations and individuals at times to disregard this teaching.  We might also have hoped for any counter-revolution to have a cleansing, refreshing effect on our culture and language, and to restore some of the old care and courtesy in self-expression, but what has happened instead is that new and arbitrary speech-codes have been drawn up, so that we are terribly nervous about words like ‘Christmas’ and ‘Easter’ or ‘man’ and ‘woman’ or ‘unborn baby’, while the public conversation in general remains as casually crass and foul-mouthed as ever — and they accuse us of using hurtful language.  It is all deeply unfair and demoralising.

A hostile culture is by no means an unprecedented proposition for the Church.  But what seems different in our own time — what makes our mission a New Evangelisation — is precisely this complexity, this many-layeredness of the hostility of the twenty-first-century West towards the Church to which it owes so much.  We are not dealing with straightforward persecution, but a sulky, cynical, irreverent, suspicious, yet also strangely gullible society.  Meanwhile it often feels as if the Church has no traction, no way on it; that we lack the language and credibility to address the world (though this is partly our own fault as well).  The words of the Gospel, however rich and life-giving they may sound within our sanctuaries, can seem to ring hollow or trite in the stale atmosphere outside.

In the face of all this, our feelings, too, are complex.  We might be fearful of being wrong-footed by our culture’s many self-contradictions, never mind embarrassed by its vulgarity and narcissism.  We know we need a new kind of courage, and a great deal of it.  All this understandably makes us hesitant about what to do next.  

There is often, too, a sense of not only being attacked but tormented and goaded.  To use the famous phrase of Benedict XVI (to whom Happy Birthday, for he turns ninety-five today!), the steadily consolidating ‘dictatorship of relativism’ — which, as he put it so presciently, ‘does not recognise anything as definitive and whose ultimate goal consists solely of one’s own ego and desires’ — has brought about some maddening, bewildering situations.  For instance, we are witnessing simultaneously this aforementioned obsession with fundamentally unimportant distinctions regarding ethnicity, yet also the vehement rejection of essential and crucial distinctions between the sexes.  To take another example, the long revolution against marriage has not demolished it straightforwardly, as one might have feared in the Sixties, but instead captured and refashioned it in a new image by means of sleight of hand and word games.  For the meaning of such a fundamental word to change underneath our feet, for it to be stripped of its transcendent, cosmic significance and shrunk to something beholden to human whim, is almost more dismaying than plain iconoclasm would have been.  It was not enough for marriage to be destroyed; it had to be disfigured and then destroyed.  It is not enough for abortion to be permitted as a necessary evil or last resort; it must now be championed as a positive good and a civil right.  It is not enough that the Church should be defeated — the Church must be humiliated and then defeated.  Truth must be twisted and then toppled.  Christ must not only be crucified; He must be mocked and crucified.

This being Holy Saturday, these words are necessarily sombre.  I know that, amid all these woes, opportunities for good are emerging all the time — such as the fact that most ordinary people, whether believers or not, remain reassuringly normal and sane; or the youth and vitality of the pro-life movement — and also that, every minute of every day, we have the unwavering assurance of Providence that all manner of thing shall, in the end, be well.  But even if all evil is ultimately in retreat — even if any advancing menace or host can only hope for a Pyrrhic victory, and a temporary one at that — this Triduum gives us the opportunity to acknowledge the dreadful strength that evil can and does wield.  Evil is frightening; it roars and ambushes and twists the knife and goads us even as it wounds us.

But however many bearings we feel we are losing, we always have the faith and the saints and the True North of the Mass.  For alongside the long history of human power and human misery is the other, parallel, unsung history, forgotten by the chronicles but every bit as true: the history of all the Masses said every day, all the prayers uttered, as well as all the words and deeds of kindness and courage done by people of good will.  It is by this compass, always present, never erring, that we keep ourselves sane and rooted.  Let it be recorded, not on this ephemeral blog but in hearts and minds now and in years to come, that even in these unreal years there were those who still believed in the eternal verities, who still cared about the inheritance of their forefathers; who cherished such things and passed them to their descendants in the confident hope that evil shall in the end be outlasted, outweighed and outdone by good.  If we do this, then we shall have kept our heads; if we keep our heads, then that will be half the battle won; and a half-won battle is one we can hope to win outright.  Let us keep heart too, then, as well as our heads, so that generations to come will enjoy heart’s ease and happiness in a gentler culture, a fairer society, and a world closer than our own to the will of its Creator.

The too-seldom-heard setting by Herbert Sumsion (1899–1995) of Cecil Frances Alexander’s hymn ‘There is a green hill far away’, sung here by the choristers of Grimsby Parish Church, directed by Andrew Cantrill, and with the organ played by David Leigh.  I have a soft spot for ingenuous Victorian Evangelical hymns like these, and the fine balance they strike between sentimentality and starkness.
He died that we might be forgiven,
He died to make us good,
That we might go at last to Heaven,
Saved by His precious blood.

Friday, April 15, 2022

Good Friday


Words from the second Psalm, sung by the choir of Westminster Cathedral.  They arise, the kings of the earth; princes plot against the Lord and his anointed.

A treasured prayer, the tenth of the Solemn Intercessions for Good Friday:
Let us pray, dearly beloved,
To God the Father almighty,
That he may cleanse the world of all errors,
Banish disease, drive out hunger,
Unlock prisons, loosen fetters;
Granting to travellers safety, to pilgrims return,
Health to the sick, and salvation to the dying.
A moment of silent prayer.  Then the Priest says:
Almighty ever-living God,
Comfort of mourners, strength of all who toil,
May the prayers of those who cry out in any tribulation come before you,
That all may rejoice,
Because in their hour of need
Your mercy was at hand.

Through Christ our Lord.  Amen.

Sunday, April 10, 2022

Notes on the ‘Lent Rondel’

Long-suffering readers may have noticed the blog tradition of reposting every Ash Wednesday a short poem I wrote a few years ago, the ‘Lent Rondel’.  This gives me the chance not only to inflate my blog statistics by regurgitating old material, but also once again to fail to resist the temptation to fiddle around with the poem a little bit more.  One kind and especially long-suffering reader, my friend Maolsheachlann Ó Ceallaigh, poet and author of the Irish Papist blog, suggested that I explain the thinking (which he presumed there had been; I told you he was kind) behind the original composition of the poem and these subsequent yearly tinkerings.

Well, here goes.  I think most poets would agree that a poem is not something one sets out to write, as one sets out to write a letter or a diary entry.  A poet does not get up in the morning and say, ‘Today I shall write an Ode to Spring’ and have it all down by 5 p.m..  It is all usually much deeper, stronger and more mysterious than that.  A poem begins, as far as I can tell, with a tiny moment of germination: a spark of realisation or conception, a recognition that a poem ought to exist — or even that it already exists, and that the task at hand to work out its exact form — or ‘find out’, as the ‘famous men’ do in that wonderful passage of Ecclesiasticus.

But a poem seldom arrives in a single brilliant flash of inspiration, leaping whole and sound into the mind and onto the page.  I think a lot of people these days have forgotten this — especially people who think they aren’t interested in poetry.  A poem is made by a combination, even a dance, of inspiration and craft, one taking over whenever the other momentarily runs out of steam.  Robert Frost said, ‘A poem may be worked over once it is in being, but may not be worried into being.’  The bad news is that writing poetry therefore often involves hard work.  But the good news is that it is not just the preserve of a chosen few; I am sure that most people could write a decent poem if they put their mind to it.  There is nothing Calvinist about it: it is a matter of both grace and works.

The sensation of writing a new poem is rather like trying to remember an existing poem that is just out of reach of the memory — and of course there is no anthology in which to look it up.  In this sense, it is also like a crossword puzzle whose solution lies not on the back page or in tomorrow’s edition but in the heavens somewhere, taking form on the page only after a good deal of thought and discernment.  It is also like prospecting a mine, working one’s way down likely seams in the hope of striking gold.

It is also comparable to the work of a sculptor, in that the finished product is to some extent there all along.  Just as a sculptor gets rid of all the extraneous stone around the work’s true form, the poet has to get rid of the extraneous words, trying and retrying different phrases or with verbs conjugated differently, putting words in end-on or trying slightly different meanings, until, ideally, the perfect marriage of form and meaning is found, everything fitting as soundly and naturally as plain speech, and having the ring of truth. 

For this reason, one thing the poet feels is the need to get out of the poem’s way.  A true poem has a force and a life of its own, pushing itself into the world, asserting its existence; it has to be written, weighing on a poet’s conscience until it has emerged (and thereafter lifting blissfully from the shoulders, leaving euphoria behind).  As Charles Causley said, ‘If I didn’t write poetry I think I’d explode.’  This is consistent with one measure of all the truest and greatest art, which is that life feels unimaginable without it.  Imagine a world without Handel’s Messiah; imagine no Wordsworth, no Dickens, no Constable.  Remember the sight of Notre-Dame de Paris in flames; how unbelievable it seemed that it might cease to exist.  

Now I hasten to clarify that I am not making such claims as this for my rondel.  My point is that most poets feel that their poems have a life of their own, insisting on their own existence.  A true poem is no work of mere ego; it is called out of you by forces beyond yourself; the words ‘discernment’ and ‘vocation’ come to mind.  Even so, it can be tough going.  You never really rest until it is finished, and you always know at some level if it is not, however you may wish to deny it: this or that line or phrase doesn’t quite ring true; this or that word sits oddly or lumpishly.  You always hope for the winds of inspiration to save you from too much craftsmanship.  ‘Will you choose, as Edward Thomas cried, choose me, you English words?.  Or, in the words of Yeats:
A line will take us hours maybe;
Yet if it does not seem a moment’s thought,
Our stitching and unstitching has been naught.
Better go down upon your marrow-bones
And scrub a kitchen pavement, or break stones
Like an old pauper, in all kinds of weather;
For to articulate sweet sounds together
Is to work harder than all these [...]
So, as far as this Lent Rondel is concerned, the original ‘spark’ that I remember arose from noticing the rhyme of the words Lent' and ‘repent' (which I can hardly have been the first to do).  This nagged away at me until the tell-tale sequence of thoughts arrived: ‘those words are interesting — that would make a good poem — ah yes, it probably is a poem, and I have to find out it what it is’.  What came into my mind was a picture of a short, bracing message of encouragement at the start of Lent.  The briskness of rondel form would fit, I felt, and this at least gave me a ready-made shape for the poem — rather like the grid of the crossword-puzzle.  I then hit on the phrase ‘hold fast’ (which is what I think of as a ‘twin-truth’ — a double meaning whose two senses reinforce, not contradict, each other) and thought a good refrain would come from this.

Now, looking at my notes, I am about to undermine everything I have just said about poetry being long, arduous work, as by my own standards I seem to have got the first draft of this down startlingly quickly — ‘within an hour, between 10 and 11 pm on 13 February 2018’ (once an archivist, always an archivist).  Most of my efforts generally take me months.  Even so, every Ash Wednesday since I have dithered over the refrain and the punctuation.  Originally it was the slightly purple-tinged ‘O followers of Christ, hold fast’, but I soon settled on this:
Hold fast, all friends of Christ, hold fast;
Be not afraid; keep faith; keep Lent. 
Something still didn’t feel right, though, and I fiddled around with it several times, including with the punctuation (like Oscar Wilde, taking all morning to put in a comma, and then taking it out again in the afternoon):
Hold fast, all friends of Christ, hold fast.
Be not afraid; keep faith, keep Lent: [...]
But this year I decided that the second line needed to run more freely, and recast it entirely —
All friends of Christ, hold fast, hold fast;
Fear not these desert days of Lent. 
— which I hope is an improvement.  It feels right to begin with the salutation (‘All friends’...), and to put the two ‘hold fast’s next to each other since, after all, they are saying something slightly different.  After all this trying to be clever, the second line is simpler and does not overload the refrain.

So far, so much dithering.  Yet the first round after the refrain, ‘...all people pent / in pleasure’s prison, bravely cast / Your senseless sin aside at last’ came to me almost whole and entire, and I have always been happy with it.  The only later alteration I made was from the original ‘needless sin’ to ‘senseless sin’, with its serpentine and sin-suggestive sibilance, but that sort of ‘tightening up' is par for the course.  I was also pleased at the way we land on the line ‘Believe the Gospel and repent’ (which hopefully call to mind the priest’s words as he smears our foreheads with ash, ‘Repent and believe the Gospel).  That fell into my lap like a gift (as per Edward Thomas’s appeal).

The part that was hardest to write at first was, in fact, the part that is a also little more awkward for the reader, the lines beginning ‘For by God's Son, who underwent / The Cross...'.  This perhaps makes sense in that something slightly more complicated is being said, and of course I had only just enough rhymes for this very tight poem: it’s no good having a set of three very good rhymes (‘Lent’, ‘repent’, ‘pent’) if you can’t reach a total of five at all.  However, I am satisfied enough of having avoided anything contrived even with these lines.  (And perhaps it is no bad thing if a mention of the Cross should cause a slight stumble in the rhythm).  I have altered very little about it, except that ‘thirst and hunger’ was originally ‘hunger’s hardness’: sometimes — and perhaps especially in a Lenten poem — plainer is better.
So there we are: a simple guide to writing a Lent Rondel, and agonising over it for four years.  

In response to Maolsheachlanns request, I have dug the different versions out again and found to my surprise that the changes were less significant than I remember.  I really was fiddling around with colons and semi-colons for several years, unable to work out what was wrong with the refrain until this years re-casting.  (One of my questions was whether you have two colons in the same sentence?...)

2018–2019
Hold fast, all friends of Christ, hold fast:
Be not afraid: keep faith, keep Lent.
All grunged-up souls, all people pent
In pleasure’s prison, bravely cast
Your needless sin aside at last:
Believe the Gospel and repent.
Hold fast, all friends of Christ, hold fast:
Be not afraid: keep faith, keep Lent:
The thirst and hunger will not last,
For by Gods Son, who underwent
the Cross, we know that we are meant
For endless life when pain is past.
Hold fast, all friends of Christ, hold fast.
2020
Hold fast, all friends of Christ, hold fast:
Be not afraid: keep faith, keep Lent.
All grunged-up souls, all people pent
In pleasure’s prison, bravely cast
Your needless sin aside at last:
Believe the Gospel and repent.
Hold fast, all friends of Christ, hold fast:
Be not afraid: keep faith, keep Lent:
The thirst and hunger will not last,
For by Gods Son, who underwent
the Cross, we know that we are meant
For endless life when pain is past.
Hold fast, all friends of Christ, hold fast.
2021
Hold fast, all friends of Christ, hold fast.
Be not afraid; keep faith, keep Lent.
All grunged-up souls, all people pent
In pleasure’s prison, bravely cast
Your senseless sin aside at last:
Believe the Gospel and repent.
Hold fast, all friends of Christ, hold fast;
Be not afraid: keep faith, keep Lent:
The thirst and hunger will not last,
For by God’s Son, who underwent
The Cross, we know that we are meant
For endless life when pain is past —
Hold fast, all friends of Christ, hold fast.
And here again for good measure is the current and, I hope, final version!
All friends of Christ, hold fast, hold fast;
Fear not these desert days of Lent. 
All grunged-up souls, all people pent 
In pleasure’s prison, bravely cast 
Your senseless sin aside at last: 
Believe the Gospel and repent. 
All friends of Christ, hold fast, hold fast;
Fear not these desert days of Lent.
The thirst and hunger will not last, 
For by God’s Son, who underwent 
The Cross, we know that we are meant 
For Heaven’s home when pain is past — 
All friends of Christ, hold fast, hold fast.
Wishing all readers a very blessed Holy Week.