Showing posts with label Ely Cathedral. Show all posts
Showing posts with label Ely Cathedral. Show all posts

Thursday, December 25, 2025

Merry Christmas!

And so another year draws towards its close; another Advent leads us to the manger-side and, we are told, to the fruition of our hopes.  Again the question is asked of us: do we believe that this small bemused knot of being, this wriggling, inarticulate bundle, this tiny brother to us, is the Son of God Almighty, is the answer to our prayers?  This year has been as full as any other of gratuitous violence, of greed, of injustice, of licence, of untruth, of vandalism, of wrong-doing of both the red-hot and the cold and calculated varieties.  It has contained illness, or frustration, or loneliness, or uncertainty.  Or it seems to have allowed our own failures to have defeated us.  And to live in Britain has been to observe continued cultural decline, even a new darkening of the national mood, as fundamental questions about the future of our country are exposed, some for the first time in centuries, and lacking any easy resolution; meanwhile, revolutions both moral and technological pose new challenges to human dignity even as their advantages seem irresistible to many.  Even the talk of a ‘Quiet Revival’ in the churches can seem like small beer in the face of it all.  Sometimes — indeed, often — we long, as the Israelites did, for Christ to come marching over the hills with a massed army, and liberate us by the sword.

But instead we find this child.  This is the shock, the twist, the wit, of Christianity, and of its author: the idea that a baby will have the last word — that already He is the last word.  Is this a joke?  Well, perhaps in a way it is, in its sheer surprise, its drop-shot deftness.  But not in its essence.  For God takes His love seriously: He means exactly what He says and does.  Any humour in the situation is at the devil’s expense, not at ours.  The idea alone — even to a sceptic, even as a proposition entertained merely for argument’s sake — is so shocking as almost to defy formulation in words: that God Himself (and not merely ‘a god’) should be born of human woman, should clothe Himself in our nature, compromised as it is, and take on our humanity entirely, even while remaining entirely Himself.  The very idea that God should consider a human body fit for habitation — or at least that He should choose to make it fit for habitation simply by inhabiting it — shows us that here we are not dealing with spirit-worlds, or Pantheons, or icons of our desires, or even any reasonable human idea of God, but with a dramatic God outside our imaginings: not bribable or capricious or tyrannical, but careful yet surprising, gentle yet deliberate, many-dimensional, knowing His own mind: in other words, real.  This Incarnation, this enfleshment — long before we even consider the Passion and the Resurrection — throws open the door of understanding to us.  Now we see what God is really all about: it is this child, ostensibly needing us more than we need him, who is our longed-for liberator, whose conquest will be final and unanswerable.

It does not mean that we are wrong to ask for an end to the world’s evil.  One day it will all indeed be defeated, and by this same minuscule right fist.  Yesterday’s antiphon at the beginning of Mass, the penultimate of the Great Advent Antiphons, ‘O Rex Gentium’, assured us of this: of Christ’s ultimate supremacy over all things, including temporal, even if the opposition continues to work what havoc it can while it may.  But the gift of a child, not a massed army, shows us that evil will be defeated not only in general but in minute particulars: not only the enormous wrongs with their towering pillars of smoke, but all the snide creeping erroneous whisperings that conspire in ourselves and in our nature.  Hence the confidence and uncompromised serenity of the Star above Bethlehem, sign of the tiny child by whom all despair will be defeated and all loss made good.  Hence, today, the final O antiphon, we acknowledge the true fulfilment of the old promise: ‘O Emmanuel’ — God with us, and far more closely than we can imagine.

Wishing all readers a very merry Christmas.

The choir of Ely cathedral sing David Willcocks’ arrangement of Prudentius’ hymn:

Of the Father’s heart begotten
Ere the world from chaos rose,
He is Alpha: from that Fountain,
All that is and hath been flows;
He is Omega, of all things
Yet to come the mystic Close,
Evermore and evermore.

By his word was all created;
He commanded and ’twas done;
Earth and sky and boundless ocean,
Universe of three in one,
All that sees the moon’s soft radiance,
All that breathes beneath the sun,
Evermore and evermore.

He assumed this mortal body,
Frail and feeble, doomed to die,
That the race from dust created
Might not perish utterly,
Which the dreadful Law had sentenced
In the depths of hell to lie,
Evermore and evermore.

O how blest that wondrous birthday,
When the Maid the curse retrieved,
Brought to birth mankind’s salvation,
By the Holy Ghost conceived,
And the Babe, the world’s Redeemer,
In her loving arms received,
Evermore and evermore.

This is he, whom seer and sybil
Sang in ages long gone by;
This is he of old revealèd
In the page of prophecy;
Lo! he comes, the promised Saviour;
Let the world his praises cry!
Evermore and evermore.

Sing, ye heights of heaven, his praises;
Angels and Archangels, sing!
Wheresoe’er ye be, ye faithful,
Let your joyous anthems ring,
Every tongue his name confessing,
Countless voices answering,
Evermore and evermore.

Aurelius Clemens Prudentius (348–c. 410), tr. R. F. Davis (1866–1937)

Sunday, February 13, 2022

Seven Hundred Years Ago Today

Seven hundred years ago today, at half-past four on the morning of the 13th February 1322, the monks of Ely were creeping back to bed having just said Lauds, when a terrifying explosion of sound burst from the cathedral next door.  An earthquake, was their first thought, and, given what they found when they ran into the nave, there might as well have been one.  The Norman crossing tower had collapsed; rubble choked the floor;  the church lay open to the sky.

The disaster had not been altogether without warning.  Cracks in the tower’s masonry had developed not long after work had begun on the new Lady Chapel just to the north, so the monks were already taking the precaution of avoiding the cathedral sanctuary.  This was one reason why nobody was killed in the collapse.  Even so, the sacristan, Alan of Walsingham, was in understandable despair at the scene, ‘not knowing which way to turn nor what to do.’ [1]  He had only been in office for three months, and he must have suspected that the Lady Chapel works, which he himself had put in hand, had hastened the catastrophe.  Never mind that he had already presided over Ely’s other recent misfortunes; in 1314 it had been Alan who had opened the shrine of St. Alban, the first English martyr-saint, in order for Edward II himself to declare the relics veracity, only for the King to declare that the true relics were not these, as Ely had claimed since 1045, but those in the possession of the abbey at St. Albans.  Now not only was Ely’s reputation in tatters, but the very fabric of its building lay in ruins.
Yet Alan of Walsingham turned out to be exactly the right man for his job, for it was he who, once he had recovered himself, devised and oversaw the replacement of the crossing tower — which was not merely a replacement, but its far surpassing.  Already considered ‘remarkable for his skill in goldsmith’s work’, he was about to prove an acute knowledge of and instinct for the science and art of architecture.  Within six months he had had cleared not only the rubble of the old tower but the four columns that had supported its corners, widening the crossing into a huge octagonal space.  Over this he placed a structure so audacious that the cathedral might have been built to incorporate it, rather than the other way around: the famous and quite unique octagon lantern tower.   With the help of the master carpenter William Hurley, Master of the King’s works south of the river Trent, Alan’s brainchild was translated into reality.  By their extraordinary imagination and the magnificent workmanship they oversaw, four hundred and fifty tons of lead and timber were made to soar weightlessly into heaven, where they have remained ever since, letting nearly seven centuries of photons flood down into the nave.
Detail of picture above: John of Burwell’s carving of Christ in Majesty, in the place it has occupied since 1340. 
It is remarkable that we know all these names; in tales of cathedral-building, most of the heroes are anonymous.  Yet at Ely we even know who carved the the central roof-boss at the octagon’s culmination, the figure of Christ in Majesty on which all its lines converge.  The craftsman was John of Burwell, a local man from a village south-east of Ely, and his carving was lowered into position in 1340.  Only eighteen years after disaster befell his city, he made good its crowning triumph joining the ranks of the men had brought this architectural masterpiece to completion, a perfect marriage of art, engineering and devotion that remains the jewel of Ely to this day.

The Cathedral and octagon tower from across the river Great Ouse
[1] Jon Cannon, ‘Cathedral: the Great English Cathedrals and the World that Made them’, (London: Constable, 2011), p. 323.

Monday, December 25, 2017

Merry Christmas!

Just a brief note to wish all or any readers a very happy Christmas indeed!  This evening our Youth Choir sang the music for the Vigil Mass and led our parish in south London into the feast.  Now our waiting is at an end; make you merry as our ancestors did!  Pour brandy over the Christmas pudding and set it alight, put the radio on for the Nine Lessons and Carols, and don’t forget the Queen at three!   May the feast glow with the same world-surprising wonder that first brought the rough-hewn shepherds of old to their knees.  We have as much cause to kneel, and to wonder, as they did.

Here’s an ancient hymn — this isn’t our choir! — from the choristers of Ely Cathedral.