War graves at Tyne Cot cemetery (Flanders) |
Catastrophe on a scale beyond computation can be apprehended only by piecemeal, inadequate measurements of the other, smaller catastrophes that it begets. One mind can meditate on individual engraved names, but not many: barely a dozen at a time before it burns out. Or there are particular kinds of memorials by which a particular category of soldier can be imagined: often passing the memorial for fallen students of my college, I could not miss, with their understated grief, the words ‘These Sons of This House Fell in War’. And there are the miscellaneous narratives and vignettes that dispel the exhausting monotony of the names of the dead. For instance, the dismantling for ever of the poets’ colony at Dymock as the war began, and the deaths of two of those poets in that war, is a tiny disaster compared to the sinking of the Lusitania or the Battle of the Somme. But it is still a disaster in its own right, and by its scale in proportion to the whole we can glimpse, briefly, how far short we fall of understanding the whole cataclysm to which it is a miniscule footnote. The disastrous ripples of war go on and on and on, resounding deep in the intangible things; we could hardly expect otherwise. Has the world ever recovered from the demoralisation of the Great War? Is this why we are so cynical, so cold-shouldered, so half-heartedly callous in our own day? Are we still paying the price? Philip Larkin, a man who could be cynical enough himself, thought so:
Never such innocence,
Never before or since,
As changed itself to past
Without a word — the men
Leaving the gardens tidy,
The thousands of marriages,
Lasting a little while longer:
Never such innocence again.
Most of those men hated war as much as I do. I am in my mid-twenties: if I had been born a hundred years before I was, would I have reached my current age?
Now that the hundredth anniversary of the Great War’s end has arrived, the test of our remembrance really begins. The grainy and stilted films of the conflict, the careful and restrained language of the time compared to our own, any actual living links with that era, are all receding into the past, and are given the occasional extra shove backwards, into deeper and deeper remoteness from the present day, by ever-crisper liquid crystal screens and taller, sleeker buildings. If we are so concerned with relevance, and so tempted to assume that what is past is irrelevant, how shall we keep in mind, lest we forget, that we may need to learn from events and people not confined to our own age and era? If it is so nearly impossible to meditate on the catastrophe, how will we make sure of keeping at it? Will we maintain our remembrance even when most of us think no-one is watching? We have forgotten much else about that time; will we, at least, remember that this old lesson must be learnt anew in every age? And that the thing about goodness is that it radiates?
Now that the hundredth anniversary of the Great War’s end has arrived, the test of our remembrance really begins. The grainy and stilted films of the conflict, the careful and restrained language of the time compared to our own, any actual living links with that era, are all receding into the past, and are given the occasional extra shove backwards, into deeper and deeper remoteness from the present day, by ever-crisper liquid crystal screens and taller, sleeker buildings. If we are so concerned with relevance, and so tempted to assume that what is past is irrelevant, how shall we keep in mind, lest we forget, that we may need to learn from events and people not confined to our own age and era? If it is so nearly impossible to meditate on the catastrophe, how will we make sure of keeping at it? Will we maintain our remembrance even when most of us think no-one is watching? We have forgotten much else about that time; will we, at least, remember that this old lesson must be learnt anew in every age? And that the thing about goodness is that it radiates?
Names of missing British and Commonwealth soldiers at the Menin Gate, Ypres. (Two panels of sixty-four in total) |
Amen!
ReplyDeleteI have been keeping quiet about the Armistice centenary, not out of lack of interest at all, but because it is so heavily politicized. Part of me feels that this is just as it should be-- in a way, the deaths would be more meaningless if the war now seemed utterly irrelevant to current concerns. But I don't want to wade into it. In Ireland, it is especially complicated-- there are currents of Irish nationalism and Irish anti-nationalism at play.
To quote a line from another Philip Larkin poem "the mind blanks at the glare". I cannot even comprehend the first day of the Somme. I stood before the Vietnam memorial in Washington and, moved as I was by the lists of names, I was aware that it was not much bigger of a casualty list than the British losses on that awful day.
When I visited your country for the first time, one of the things that struck me the most was the prevalence of World War One memorials. I found something soul-chilling about them. They made me feel the reality of the thing for the first time.
May perpetual light shine on them all.
Yes, I can imagine that it is more complicated in Ireland.
DeleteIncreasingly I feel that we in Britain have still not recovered from it. But it is very difficult to measure what it has done. Indeed it is soul-chilling to come across these memorials, with at least a dozen names even in tiny villages; for a moment it will make a summer's day leaden.
Many thanks for your comment.